Grammy-winning singer-songwriter Shelby Lynne has signed with Monument Records and will now be managed by Little Big Town‘s Karen Fairchild, who is stepping into music management.

Led by co-presidents Shane McAnally and Jason Owen as well as general manager Katie McCartney, Monument will reissue Lynne’s 1999 album, I Am Shelby Lynne, on Apr. 5 in honor of its 25th anniversary, with a limited-edition vinyl release slated for the summer.

Meanwhile, Lynne is also working on her new studio album with Fairchild, fellow singer-songwriter Ashley Monroe and producer/engineer/mixer Gena Johnson (Ashley McBryde‘s Lindeville, Chris Stapleton‘s Starting Over).

Lynne, who moved back to Nashville in 2018, said in a statement, “It’s good to be back in Nashville. Being back in this city has lit me up. I’ve come full circle and I can’t wait to share what we’ve been working on.”

Since issuing her 1989 debut album, Sunrise, Lynne has traversed genres including country, rock and pop with her music. In the early 1990s, several of her songs, including “Things Are Tough All Over,” cracked the top 30 on Billboard‘s Hot Country Songs chart, while her sixth studio album, 1999’s I Am Shelby Lynne, featured the top 20 Billboard Triple A chart hit “Gotta Get Back.” The album also led to Lynne winning best new artist at the 43rd annual Grammy Awards. She has also picked up honors including the ACM Awards’ top new female vocalist accolade. Additionally, she has been featured in movies and TV shows including Johnny Cash biopic Walk the Line.

In addition to Little Big Town, Fairchild has written songs recorded by Kelsea Ballerini and Anne Wilson. In a way, Lynne’s signing to Monument Records marks a full-circle moment for Fairchild as well, as Little Big Town’s 2002 self-titled debut album was released on the label (the group has been with Capitol Nashville since 2008).

McAnally said in a statement, “Artists like Shelby Lynne come once in a lifetime. Her impact on artists and fans alike, including me, has been deep and wide. I’m so proud to be a part of bringing her artistry back to the forefront with new music.”

Fairchild added, “It feels important to reintroduce Shelby Lynne’s genius to a fresh wave of artists and fans. I’m blown away by her profound knowledge of music and the enormity of her talent. Shelby’s uniqueness lies in her extraordinary capacity to delve into human pain and beauty through her powerful voice and storytelling.”