The Weeknd‘s Q4 career moves have proven the pop star has remained dedicated to finishing the year strong before kicking off 2025 with a bang: He performed a one-night-only stadium show in São Paulo, Brazil in September and released three singles that he debuted during the show: “Dancing in the Flames,” the Billboard Hot 100 No. 3 hit “Timeless” with Playboi Carti and “São Paulo,” featuring Anitta. In October, he took over a handful more stadiums in Melbourne and Sydney during his rescheduled Australian tour. And the following month, he announced his sixth studio album Hurry Up Tomorrow will be released on Jan. 24, and he’ll perform another one-night-only stadium show at Pasadena’s Rose Bowl the day after.

And somewhere in the middle of all of this, The Weeknd also became the artist with the most songs to hit one billion streams on Spotify, with 24 songs in the Billions Club. And 1,300 of his top listeners on Spotify got to relive those hits during Spotify’s first-ever Billions Club Live concert at Santa Monica’s Barker Hangar on Tuesday evening (Dec. 17).

“It’s a little holiday gift for the OG XO fans supporting me since day one,” he said while blue strobe lights kicked off his 70-minute set. “2024 is almost done. But 2025, we got some new s–t coming out. New album, new tour, new movie. New everything!” His upcoming album Hurry Up Tomorrow, which is the third and final installment of his After Hours / Dawn FM trilogy, will be supported by a psychological thriller film of the same name that will mark the singer’s feature-starring debut.

It’s poetic that the Canadian-Ethiopian superstar (real name Abel Tesfaye) is closing this chapter of his career the same way he started it over a decade ago, with a trilogy of cohesive projects. Outside of his big-picture ideas, he finds clever ways to thread together little details from his entire discography. The popular idiom “this house is not a home,” for example, is a common lyrical theme, which The Weeknd references not only in the 2020 After Hours title track he performed but also dating back to “Twenty Eight” from his 2011 debut mixtape House of Balloons. But for someone as beloved as him, The Weeknd feels right at home on stage even during the remarkably intimate show.

“It’s been a while since I’ve been at a venue like this. Feels like back in the Kiss Land tour or Trilogy tour,” he reflected. “Maybe after the stadium tour, we might go back in time and we might do smaller venues.”

He tapped his frequent collaborator Mike Dean — whom The Weeknd jokingly blamed for his minor coughing fit because he was “hitting that f–king bong all night” — to steer the set “wherever you wanna take it,” before the hip-hop superproducer’s eerie synths introduced Metro Boomin‘s “Creepin,’” featuring The Weeknd and 21 Savage. The Weeknd later summoned his drummer Ricky Lewis to play “Popular,” the platinum-certified hit with Madonna and Carti from his 2023 HBO drama series The Idol. It’s one of two songs from the show to hit one billion Spotify streams, with the other being “One of the Girls” with JENNIE and Lily-Rose Depp. Then, he called on his guitarist Patrick Greenaway to cue the next song — and Greenaway’s scene-stealing shredding summoned “Heartless.” The Weeknd had multiple opportunities to bring out special guests, considering 13 of the 24 songs in the Billions Club are collaborations, but the unprecedented concert felt more suited for his solo victory lap rather than an all-star relay race.

“Oh s–t, this hit a billion?!” he marveled as “Reminder,” from his 2016 album Starboy started playing. The Weeknd warned the crowd of the song’s gunshot background sound during the chorus, a conscious reminder his concertgoers have picked up on from his previous shows. And while this one’s circular stage setup was much simpler than his ornamented stadium show designs, it didn’t stop The Weeknd from making the night memorable: Yellow spotlights flickered as he sang the “I just wanna see you shine ’cause I know you are a stargirl” outro from his and Lana Del Rey‘s “Stargirl Interlude,” and they later twinkled to recreate the grandiose ballroom feel of “Earned It” from the 50 Shades of Grey film. And red strobe lights provoked the sinister aura of his 2015 Hot 100 chart-topper “The Hills” from Beauty Behind the Madness.

He asked if any of his ballads had hit one billion Spotify streams to slow down his set, but the singer was taken aback by the siren-like synth intro of his Gesaffelstein-featuring “I Was Never There” from his 2018 EP My Dear Melancholy, classifying it as more of a “power ballad.” After his 2012 debut single “Wicked Games” (“I know that song didn’t hit a billion, but I felt like I had to do it. It’s necessary, at least one House of Balloons song,” he said matter-of-factly) and “Die For You” — which experienced a TikTok-fueled resurgence six years after its release and produced the Hot 100 No. 1 remix with Ariana Grande — The Weeknd wanted to “pick up the pace” and Daft Punk‘s fuzzy disco-pop production from “I Feel It Coming” instantly got the audience in a groove.

After what felt like the ultimate finisher with “Blinding Lights” — the first song to hit four billion Spotify streams as well as the top Hot 100 song of all time — The Weeknd teased his Hurry Up Tomorrow era by singing a snippet of an unreleased song he’s teased during previous shows, reportedly titled “In Heaven.” “In 2025, everything is fine. In 2025, everything will be fine. I’ll come back for you, XO. But until then, hurry up tomorrow! Hurry up tomorrow! Hurry up tomorrow! Hurry up tomorrow!” he bellowed.

Check out the full set list from The Weeknd’s Spotify Billions Club Live concert below.

Encore: