It was not a drill Friday night (Sept. 6) in Brooklyn. Usher-mania had arrived. After having serenaded the nation for two-and-a-half-years with the hottest Las Vegas residency in the land, and readjusting his crown at the Super Bowl XLVIII halftime show, the R&B icon brought his Ursher-issance to the Barclays Center with a show-stopping blitz that proves he’s operating at a new prime.

For the thousands of fans who packed out the first of four sold-out shows as part of his Past Present Future tour, the night was special for several reasons. For some, it was a chance to scratch one larger-than-life concert off their bucket list (“I never got to see Michael Jackson live, but I’ve seen Beyoncé and now Usher,” said one concert-goer). For others, it was the opportunity to relive the headline-making My Way the Vegas Residency experience (“We saw him in Vegas, too,” gushed another excited fan). But the number one objective for everyone on this night (including this writer) was simple: “Gonna boogie, tonight…”

The aptly titled tour, which launched in August with two sold-out performances in Washington, D.C., lived up its namesake as the king of R&B left the borough known to keep it thorough in a warm blanket of nostalgic and euphoric bliss. Much of the two-hour show felt less like a concert and more of a celebration of the man whose music has soundtracked lives, redefined a genre, and shifted the pop-culture landscape over the last 30 years. But age is furthest from the mind when watching the singer, especially as his liquid movements evokes the same “how’s he still performing at this level” wonderment that stalks LeBron James. Whether pop-locking, leaping, or standing next to a video of his younger self, the timelessness of Ursher did indeed writ large over the course of the night.

At around 9:30 p.m., the singer popped up on stage, commanding court with the kind of spellbinding aura that Michael Jackson exemplified during his fan-faint-outs era, and opened with “Coming Home,” the title track from his latest chart-topping outing. He followed that up with “Hey Daddy (Daddy’s Home),” which quickly summoned ecstatic gasps from the audience mid “I just wanna get your attention…” Like that, the sold-out audience went down memory lane.

After “1993” appeared on the screen, along with a digitally-rendered teenage version of the singer, he danced along to a medley of his earlier records — “Call Me a Mack,” which originally appeared on the 1993 Poetic Justice soundtrack, “Think of You” and “Can U Get With It.” Soon after, the “You Make Me Wanna” singer time-shifted through the decades, as the capacity-crowd, decked in their flyest and finest, played the role of back-up singers — and, judging by the swaying bodies in the aisles and rows, back-up dancers, too. Spreading love is the Brooklyn way, after all. The Grammy award-winning showman floated on that cloud of love through the night, cascading through a plethora of his genre-defying hits that kept those aisles and rows rocking in a rhythmic trance. He traveled to 1997, performing “My Way” and “You Make Me Wanna” to resounding shrieks before loading up tunes from the 2000s with “U Remind Me” and “U Don’t Have To Call.”

By the time he got to his diamond-certified magnum opus, Confessions — an album that celebrates its 20th anniversary this year, after spawning four No. 1s on the Billboard Hot 100 chart — it was sheer pandemonium. There was “Caught Up,” followed by some of “Yeah!” before the song was abruptly interrupted by a “system malfunction” alert on the screen. But ever the consummate performer, Usher kept the show rolling by flipping the chronological script, hitting shuffle, and pulling out the roller skates for “Don’t Waste My Time” and “Love in this Club.”

As concupiscent shrills showered him through “Nice & Slow,” he operated with the eros of the moment — stripping down to a white tank top, jeans and his signature “U” diamond pendant — and saucily mime-humped the mic stand after having already turned up the heat with “Lovers and Friends.” If that wasn’t enough, the rapt audience melted at the knees once his sterling silver vocals belted out that well-known falsetto to “Superstar.”

And there were a number of other superstars in the house, as well. After prowling through the audience while singing “There Goes My Baby,” he spotted and serenaded celebrities Taraji P. Henson (“You starting the celebration of your birthday early,” he beamed), Victoria Monet, who danced along with the singer to “On My Mama,” and rapper Yung Miami. Not long after, he brought out Fat Joe and Ja Rule, who also won the crowd over with their string of classics, including “What’s Luv” and “Put it On Me.”

As the night wound down, with energy levels depleted following run-throughs of “OMG” “There Goes My Baby,” and “DJ Got Us Fallin’ in Love” among others, Ursh, now wearing a glittering blue leather Vanson motorcycle jacket, sent the capacity-sized arena into a tizzy when he finally unleashed “Yeah!” without interruption. “I was able to turn Barclays into the house of Usher,” he said. A fitting way to close out a hit-filled spectacle that stamped an emphatic “Watch this” for those still wondering “how’s he still performing at this level?”

But that’s not all, here are the seven best moments from night one of Usher’s four-night rendezvous in Brooklyn.