Before I saw Twisters, I wondered what merited a sequel to the 1996 smash hit Twister. Surely there’s got to be more to it than the box office records smashed by that Helen Hunt and Bill Paxton vehicle, which awed audiences with a compelling ensemble and groundbreaking visual effects — including an iconic flying cow. Perhaps a new angle on the story? A fresh embrace on what natural disasters mean in our current climate crisis? Or a worthwhile spin around the tornadoes with mind-snapping visuals?
Nope.
Though Twisters boasts heralded Minari director Lee Isaac Chung, rising stars Glen Powell, Daisy Edgar-Jones, and Anthony Ramos, and a big budget that dwarfs that of its predecessor, this disaster film is a wobbly ride that leaves disappointment in its wake.
Is Twisters a Twister sequel?
Credit: Universal Pictures, Warner Bros. Pictures, and Amblin Entertainment
Sure, technically. Do these two movies have any characters in common? No. Does this new one acknowledge the plotline of the 1996 hit? Only in the most cursory of ways.
Remember the research gadget that Dr. Jo Harding (Hunt) and Bill Harding (Paxton) were trying to send up into a tornado so they could improve weather warning systems? It was named Dorothy, and that device — inspired by the National Oceanic and Atmospheric Administration’s TOTO (TOtable Tornado Observatory) — pops up here, accompanied by some newfangled tech similarly named after The Wizard of Oz. Otherwise, the script by Mark L. Smith (The Boys in the Boat) steals so heavily from the plot of the previous movie that he owes its screenwriters, Anne-Marie Martin and Michael Crichton, a thank-you card, if not royalties.
Remember how Twister began with its female storm-chaser’s tragic origin story, in which an F5 tornado ripped her farmer father right out of their storm shelter? Well, Twisters takes that plot and applies Scream’s slasher rules to it: bigger, deadlier, higher body count.
Weather scientist Kate Cooper (British actress Daisy Edgar-Jones with a very dodgy Southern-ish American accent) is testing her own experimental tech with a batch of colorful friends, all with the hope to “tame the twister!” But just as we get into the groove of this rowdy crew’s journey, they all get sucked away from the story, leaving behind a blandly traumatized heroine and her furrow-browed pal Javi (Hamilton‘s Anthony Ramos in a thankless role).
Cut to five years later: Kate has given up twister-chasing for a tame life in meteorology. But like Paxton’s character in the original, Kate is drawn back for one last job. Just as in Twister, sneering but well-funded scientists are regarded with open hostility, while the scrappy crew using homespun gadgets and instinct are upheld as heroes. Chief among the latter is Hit Man‘s Glen Powell as Tyler Owens, a YouTube star famous for his cowboy persona and twister-chasing bravado. A romance will inevitably spark between Kate and Tyler, because that’s what Hollywood demands.
Daisy Edgar-Jones and Glen Powell don’t click.
Credit: Melinda Sue Gordon / Universal Pictures, Warner Bros. Pictures, and Amblin Entertainment
Edgar-Jones won praise for her performance on the BBC drama series Normal People and previously headlined the American mystery movie Where the Crawdads Sing. But here, she’s out of her depth. Part of the problem is the script’s spin on her backstory makes her tragic tornado more recent, so our heroine is still fairly deep in the throes of grief and survivor’s guilt. Kate’s nowhere near as plucky or as engaging as Hunt’s storm-chaser was in Twister. But even when Kate eventually lightens up — her flirtation with Tyler has her trade her white mock turtlenecks and scowl in for a red T-shirt and clumsy smile — she still feels like a bore next to the other quirkier chasers.
Swaggering in a ten-gallon hat and a Tom Cruise grin, Powell better shoulders his heroic duty. As Tyler, he relishes the intensity of the chase and the risks of their DIY doodads, and that joy is contagious. Unfortunately, these thrills are short-lived, for a number of reasons. First, Twisters is burdened with a subplot about survivors left hurt and homeless by the storms, making for a series of scenes that are egregiously maudlin for a summer popcorn movie. Plus, the romantic subplot feels forced, highlighting Tyler’s good-guy gestures until it seems like he just wears her down. They’re a hard couple to root for. She’s dull, and he’s aggressively one-note; together, they’re a cardboard cutout of a cowboy and the wet blanket who loves him.
Twisters wastes its best assets.
Credit: Universal Pictures, Warner Bros. Pictures, and Amblin Entertainment
Between the sweeping scenes of tornado-related action and the hackneyed romance plotline, there’s little sense of Chung’s vision as a director. The connections to Minari become clearer in the moments of community, like when Tyler takes Kate to a local rodeo. Footage of strangers crowding into the stands and riders getting ready to take to the arena exude Chung’s love for the American South and its people. Likewise, Tyler’s rowdy crew of misfits shines with the chaotic but passionate bond seen in Chung’s rightfully heralded family drama.
The character actor lineup in Twister was (and is still) absolutely astonishing. While there were plenty of “That Guy!” faces like Alan Ruck, Joey Slotnick, and Jeremy Davies, the group also included future Academy Award–winner Philip Seymour Hoffman and Todd Field, who would go on to write and direct critically adored dramas like In the Bedroom, Little Children, and Tár.
To Chung’s credit, Twisters is suitably stacked in its own right. Brandon Perea, who played the camera-savvy Angel in Jordan Peele’s Nope, plays Tyler’s right-hand cameraman, Boone. Sasha Lane, who broke through as the captivating unknown in Andrea Arnold’s road trip drama American Honey, brings her exuberance to fearless drone operator Lilly. Tunde Adebimpe (Rachel’s Getting Married, She Dies Tomorrow, Spider-Man: Homecoming) manages to deliver the inevitable movie-science exposition with an earnest enthusiasm that is undeniably charming. Katy O’Brian, who elated critics earlier this year as Kristen Stewart’s brawny co-lead in the gnarly thriller Love Lies Bleeding, brings her kinetic charisma as mechanic Dani.
Credit: Melinda Sue Gordon / Universal Pictures, Warner Bros. Pictures, and Amblin Entertainment
Elsewhere, Kiernan Shipka and Daryl McCormack (Good Luck to You, Leo Grande) entice with their very presence. Unfortunately, they’re all given too little screen time. As in the original movie, this ensemble is far from the focus of the film. But unlike Twister, its sequel clearly forgets just how fun it is to watch a band of thrill-seekers do their thing! The hangout vibe of these eccentric storm-chasers has always been a major part of Twister‘s appeal, whereas Twisters is too eager to flee the party.
Sure, Twisters throws plenty of storm action at audiences, pitching in fireworks, flames, and even ripping a movie theater to shreds for good measure. But none of this touches down if you don’t feel invested in the characters. Edgar-Jones’ and Powell’s characters are too two-dimensional to hook us. Ramos is kicked to the sidelines with a haphazard sinister business subplot. And the most dynamic characters are treated as little more than window dressing for a plot that’s so close to the original Twister I marvel it was (re)made at all.
In the end, Twisters is big and flashy, but not fun or frightening. There are better movies — even better popcorn movies — out there. So, don’t waste your time with this tiresome retread masquerading as a stale sequel.
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